kevindayonga

Below is my brief take on " Creativity and Cultural Production " by Keith Negus and Michael Pickering from the International Journal of Cultural Policy.   In "Creativity and Cultural Production," Negus and Pickering argue that the term 'creativity' is multifaceted and often misused across various contexts, particularly in media and advertising. They highlight how creativity is frequently celebrated in popular discourse, yet this celebration can obscure the complexities and deeper meanings associated with the concept. The authors emphasize that creativity should not be viewed in isolation; somewhat, it is shaped by cultural, historical, and political contexts that influence how it is perceived and valued. They critique the simplistic dichotomy between artistic vision and everyday life, suggesting that creativity exists on a spectrum influenced by the conditions of its production. Furthermore, the authors discuss the impact of mass culture and the techniques o...

Editing a local film Parc, Messerlin, and Kim (2022) discussed the impact of protectionism on cultural industries, which is quite fascinating, especially regarding the effects of China’s film policies on imported films. So, how does that work for PNG and what if PNG developed and implemented its own Protectionism policy? – Liklik 2t tintin blo mi. The impact of protectionism on cultural industries in a small country like Papua New Guinea, where much of the content and media models are derived from Western frameworks, can be multifaceted: 1. Cultural Preservation and Identity:  Protectionist policies could help PNG promote and preserve its unique cultural identity by encouraging the production and distribution of local content. By limiting foreign media imports, the government could create a more favourable environment for local filmmakers and content creators to develop narratives that reflect PNG's diverse cultures and traditions. This could lead to a stronger sense of national id...

Former schoolmates from UPNG catching up at Kensington. On Saturday, September 14th, Papua New Guineans living in Sydney gathered at Kensington to celebrate the country's 49th anniversary and reflect on its journey since 1975. Despite the distance from their homeland, members of the PNG diaspora remain deeply connected to the country’s progress and are optimistic about its potential to thrive on the global stage. For many, the anniversary is a moment to assess Papua New Guinea’s growth as a nation, especially in areas of development and international relations.    When ''ambuge Joysi'' gots the ladies on the dance floor. The 49th independence anniversary of Papua New Guinea is a moment of both celebration and reflection. For me, it represents the resilience of our people, our rich cultural heritage, and our journey as a nation. Living in Australia has certainly deepened my connection to my identity as a Papua New Guinean. Being away from home makes you realize how m...

This comprehensive document outlines the policy's intent , provides insights into the PNG media landscape, and highlights key trends and issues in the media sector.    Due to the changing world, we live in today, the Department of Information and Communication Technology has embarked on developing a national media policy to capture developments of the PNG Media.   However , t he PNG Media Council president, Neville Choi, says some aspects of the media need government support. These include the protection and training of journalists. He added that the media is best left as a self-regulating industry.    Below is a summary of the National Media Policy from my perspective. I have also briefly used case studies from New Zealand and Australia to support my thoughts on some of the elements the policy should have captured or may have been captured but too broad to understand.   Firstly, how has the history of the media sector in PNG influenc ed the devel op...